![]() On the fence outside the theater there's a poster for a 1926 movie by William Wellman with George K. There are two more posters with the title erased or unreadable. "Did anyone notice the MGM movie posters in the storm sequence in Buster Keaton's "Steamboat Bill Jr."? After Buster tries to jump into the painted lake in the theater posters for "The road to Mandalay" (above the dummy with the director's name Browning clearly visible) and "The temptress" are on the back wall. Some time ago I mentioned the use of film posters in Buster Keaton's STEAMBOAT BILL JR. This was actually Lang's SPIONE (1928) without Mabuse but with the Mabuse actor Rudolf Klein-Rogge playing Haghi. You could probably finance your own Mabuse film if you had them now. But for now let’s at least be excited about the slightly greater likelihood of seeing a decent movie at the cinema this year.One of Lang's Mabuse films (I can't recall which one) has multiple copies of Metropolis posters throughout the alleys. ![]() And let’s not get carried away: this time next year we could well be grouching, like Statler and Waldorf, that they don’t make ’em like they used to. There’s the separate question of whether these end up in cinemas or on streaming, and whether anyone will have the inclination to see them after such a screen-heavy 2020. And if Parasite really did break down the one-inch barrier of subtitles, there’s a backlog of festival-tested international cinema awaiting, too. The good stuff we were promised last year we should be getting this year: Wes Anderson’s The French Dispatch, Edgar Wright’s Last Night in Soho, Roger Michell’s The Duke, Joanna Hogg’s The Souvenir: Part II, David Lowery’s The Green Knight and indie hits Minari and Zola. ![]() If 2020 was good for anything it was sorting the wheat from the chaff – not just at the awards end but across the board. Later in the year, awards season 2022 contenders could include new movies from heavyweights like Damien Chazelle, Joel Coen, Jane Campion, Guillermo del Toro, Ridley Scott and Paul Thomas Anderson, not to mention long-awaited marquee movies such as Dune and West Side Story. We’ve already got a promising batch of buzzed-about titles to look forward to in the coming months: Chloé Zhao’s Frances McDormand-starring docu-fiction Nomadland, Regina King’s directorial debut One Night in Miami, Indian epic The White Tiger, emotional tour de force Pieces of a Woman, Mads Mikkelsen’s drinking drama Another Round, Carey Mulligan thriller Promising Young Woman (which premiered a whole year ago at Sundance). Then, just six months later, assuming things return to normal, we’re ramping up for next year’s awards, which means the end of 2021 will also be stacked with decent movies. As a result, the usual Jan/Feb dumping ground won’t apply. Eligibility deadlines have been extended to the end of February. ![]() this is EPS 10 file, Please visit my portfolio for more options. This year, however, the whole season has been pushed back two months, culminating in the Academy Awards on 25 April. Beautiful Movie Background with Marquee display Vector illustration of Beautiful Movie Background with Marquee display, all elements are in separate layers and grouped. Traditionally, the cut-off date for awards eligibility is the end of the year, after which the feast of quality releases turns to a famine of duds and rejects. One thing we can be sure of: as a result of the Great 2020 Shutdown, we’re effectively getting two awards seasons in one year.
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